As genre unions go, both coming-of-age and love stories are well treated by the conventions of the road movie. There's a barreling, forward-lean pursuit of arrival/self-discovery/consummation, and ample, inevitable excuses for detouring, idling, and overheating. Although this delicate debut fiction feature by Bulgarian Konstantin Bojanov knowingly satisfies aspects of all three (à la road... More >>>
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The End of the Lower East Side's Last Great Rehearsal Space (2)
