As he's questioned by a therapist in the opening scene of the film bearing his name, we see Charles Swan III's subconscious literally spurt out of his head. It's visualized as an animated collage largely made up of ladies' long, disembodied legs—like those in the '40s pinups that decorate the Don Juan graphic designer's playpen home. It also indicates writer-director Roman... More >>>
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The End of the Lower East Side's Last Great Rehearsal Space (2)
Stoya, Pop Star of Porn (3)
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