Today’s romantic comedies may be the most dire product being rolled off American filmmaking assembly lines. Having devolved into rote formula (whether mainstream Hollywood fare, or faux-indie dross), it’s a form that—with rare exception—has collapsed in on itself, being now full of familiar tropes, exhausted rhythms, self-conscious references to genre forebears, and lots of either hip indie music or ironically... More >>>
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The End of the Lower East Side's Last Great Rehearsal Space (2)
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