Back in 2007, Nash found fans outside of her native London with “Foundations,” a track whose punchy keys and attitude-drenched vocals invoked Amy Winehouse and preceded Florence & the Machines. With a second album that channels both Diana Ross and Kathleen Hannah, the singer has slowly but surely help create a niche that takes hints from both pop and punk, and gives the audience much to both hairbrush-sing and fist-pump... More >>>