Martin Amis once wrote that the literary critic must "proceed by quotation" — that the quotation, however vigorously embellished, remains the book reviewer's "only hard evidence" in the case for or against a work. Film criticism is denied even this meager luxury. For the writer, film's nonverbal qualities are always just out of reach of the pen; the image is never quite accessible to words. But what about another image? What if, as Jean-Luc Godard believed, the appropriate way to criticize a movie is to make another movie? Perhaps this accounts for why some of our most significant works of film criticism,... More >>>