One four-year-old is on her hands and knees, as close as she can get to the edge of the platform separating spectators from the five sweating dancers in the center of the draped and mirrored Spiegeltent that Bard Summerscape has imported from Belgium for the third summer in a row. Another little girl sits on her mother's lap, eyes very wide, as the evil sorcerer and the troupe of tumblers he has turned into animals struggle for the magic wand that will either release them or... More >>>