In recent years, I've taken to evaluating, somewhat subconsciously, each new AC/DC album by way of what I'll now outwardly brand the "Send for the Man" scale. It's a fairly straightforward system, resting on one incontrovertible fact: AC/DC—old or new, live or studio, Bon or Brian—is never a bad thing. Fine, you say. But for a band whose every album sounds more or less the same (still you talking, not me), when... More >>>