Both Steve Reich’s compositions and Anne Teresa De Keersmaeker’s dances for her company, Rosas, lay out mathematical and mechanical systems, while subtly revealing untidier aspects of nature and human nature. Reich’s precise musical modules can slide into apparent disunity and even degeneracy without ceding an impression of control. Even the wildest moments in De Keersmaeker’s choreography are governed by fastidious—if often... More >>>