Maybe it's because I saw them the day after the election, but there's something hard-fought and heartening about Terry Winters's new paintings at Matthew Marks. Chunks of intense color tumble and collide across garish or sooty or muddy matrices. Like our times, they're fraught, complex, and scarred over, but also... More >>>
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The End of the Lower East Side's Last Great Rehearsal Space (2)
Stoya, Pop Star of Porn (3)
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