Phoenix
Enter to win tickets to see Phoenix with The Vaccines on Wednesday, October 2nd at Barclays Center!
While it's true that you have to wait for inspiration to strike, there’s comfort in knowing it will inevitably arise, even if you have to look all over the globe for it before you find it—or so goes the logic behind the epic recording process of Phoenix's new studio album. To write their new album, titled Wolfgang Amadeus Phoenix and released this May on Glassnote Records and Loyaute (the band’s own imprint), the Gallic quartet decamped to various locales away from their home studio in Versailles, searching for the stimulus necessary to transform the new material into a coherent LP. "We spent a long time waiting for the chemical reaction," says guitarist Laurent Brancowitz, "that moment when a song isn't just the sum of all of our parts, but it's something more. And the idea was to go someplace we'd never been." Actually, they went to a few: Brancowitz and his bandmates Thomas Mars (vocals), Christian Mazzalai (guitar), and Deck D'Arcy (bass) worked in the Parisian studio of 19th-century Romantic painter Théodore Géricault ("The light was beautiful," Brancowitz says), chartered a houseboat on the Seine ("Not the best idea—some of us got seasick"), and stayed at the Bowery Hotel in New York City for a month, among others. As the guitarist explains with self-effacing humor, "It was like our Orson Welles moment."
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