Subject:

Audra McDonald

  • Blogs

    April 30, 2012

    My Tony Nomination Predictions!

    I've seen almost everything this season except Magic/Bird--which to me sounds like a wildlife puppet show, and it's quite possible that's what it is--and I'm ready to tell you who will definitely maybe probably almost get Tony nominated tomorrow morning. Here goes: BEST PLAY *Clybourne Park *Othe ... More >>

  • Theater

    January 18, 2012

    The Gershwins' Porgy and Bess: Broadway, You Is My Venue Now

    Trimmed and renamed, a great opera has shrunk to become a good show

  • Blogs

    January 12, 2012

    Porgy And Bess Has Arrived Amidst Controversy

    This is not a review. I'll let far more erudite scholars than myself go into lengthy analyses about exactly what's been trimmed out of the new revisal being called DuBose Heyward's Porgy and Bess. (They're actually calling it The Gershwins' Porgy and Bess, but I thought I'd give the co-author a li ... More >>

  • Blogs

    October 5, 2011

    Audra McDonald Remembers Some Crazy High Notes

    Multiple Tony winner Audra McDonald can hit notes only Mariah Carey can hear, so I was surprised to learn she had to be coaxed to go even higher a couple of times. In her foreword to the new edition of funnyman/musician Seth Rudetsky's anecdote-filled book Broadway Nights, Audra -- who's Broadway-b ... More >>

  • Blogs

    July 7, 2011

    Tyne Daly As Maria Callas: My Review

    Photo: Joan Marcus​"No applause. We're here for work," says faded but still powerful opera diva Maria Callas at the outset of Master Class, silencing us as she enters for her day's business. Callas is there to instruct her students--and us--on how to get the most out of their work by trusting ... More >>

  • Theater

    July 1, 2009

    The Wiz at Encores! and Central Park's Twelfth Night Both Somehow Lack Vividness

    Photo: Joan Marcus​"No applause. We're here for work," says faded but still powerful opera diva Maria Callas at the outset of Master Class, silencing us as she enters for her day's business. Callas is there to instruct her students--and us--on how to get the most out of their work by trusting ... More >>

  • Blogs

    February 9, 2009

    Voice Critic Michael Feingold and Grammy Greatness

    He didn't write the music or show up at the ceremony nine-months pregnant, but we're happy to note that our theater critic Michael Feingold has had a hand in a recording that won not one but two Grammys: Best Classical Album and Best Opera Recording. The EuroArts recording of the Los Angeles Ope ... More >>

  • Blogs

    December 5, 2008

    Voice Critic This Close To Grammy Victory!

    He didn't write the music or show up at the ceremony nine-months pregnant, but we're happy to note that our theater critic Michael Feingold has had a hand in a recording that won not one but two Grammys: Best Classical Album and Best Opera Recording. The EuroArts recording of the Los Angeles Ope ... More >>

  • Theater

    January 1, 2008

    Barbara Cook, Music and Lyrics

    Silvery tones for a golden age of Broadway singing—past, pleasant, and future

  • Theater

    May 29, 2007

    The Paradox Man

    More than half a century after his death, composer Kurt Weill still provokes strong reactions

  • Theater

    May 15, 2007

    Partway to Paradise

    The Texas plains look plainer when Audra's offstage; Stew tells an old story pleasantly

  • NYC Life

    December 5, 2006

    New Year's Eve Event Guide

    The Texas plains look plainer when Audra's offstage; Stew tells an old story pleasantly

  • News

    November 28, 2006

    Reader: When's the New York Pot Party?

    The Texas plains look plainer when Audra's offstage; Stew tells an old story pleasantly

  • Columns

    November 14, 2006

    NY Mirror

    The Texas plains look plainer when Audra's offstage; Stew tells an old story pleasantly

  • NYC Life

    April 26, 2005

    Rock

    The Texas plains look plainer when Audra's offstage; Stew tells an old story pleasantly

  • Columns

    April 5, 2005

    NY Mirror

    The Texas plains look plainer when Audra's offstage; Stew tells an old story pleasantly

  • Theater

    June 1, 2004

    Stage Left

    Tony Awards look to Off-Broadway for excellence.

  • Theater

    April 20, 2004

    Lorraine Hansberry's Raisin: Still Just as Fresh 45 Years Later

    Tony Awards look to Off-Broadway for excellence.

  • Columns

    April 20, 2004

    NY Mirror

    Tony Awards look to Off-Broadway for excellence.

  • Theater

    November 25, 2003

    Without Honor

    Shakespeare knew how to write plays; if we believed that, we might know how to do them

  • NYC Life

    September 9, 2003

    Subway Series

    We're Henry IV, We Are, We Are: The Plays, in Brooklyn and Manhattan, Are the Things

  • Theater

    January 7, 2003

    What's Opera Now, Doc?

    While Broadway Lives the Puccinian Past, William Bolcom Gives the Met a New 'View'

  • Theater

    August 7, 2001

    Now Hear Disc

    A Blizzard of CDs Puts Some New Spins on Show Music Style

  • NYC Life

    May 29, 2001

    Classical

    Composing the Perfect Season

  • Music

    May 23, 2000

    Music

    Composing the Perfect Season

  • Theater

    December 7, 1999

    Women's Stresses

    Composing the Perfect Season

  • Music

    February 9, 1999

    Jazz's New Wing

    Composing the Perfect Season

  • Specials

    December 15, 1998

    Letters

    Composing the Perfect Season

  • Music

    December 1, 1998

    Consumer Guide

    Composing the Perfect Season

  • Music

    November 3, 1998

    A Diva's Desires

    Composing the Perfect Season

  • Columns

    November 3, 1998

    NY Mirror

    Footloose turns out to be like Stupid Kids without the irony, but not as bad as that sounds.

  • Columns

    October 13, 1998

    NY Mirror

    ''In Rounders, John Malkovich chewed so much scenery that it's a wonder there were any card tables left.''

  • Columns

    June 23, 1998

    NY Mirror

    ''In Rounders, John Malkovich chewed so much scenery that it's a wonder there were any card tables left.''

  • Columns

    May 26, 1998

    NY Mirror

    ''In Rounders, John Malkovich chewed so much scenery that it's a wonder there were any card tables left.''

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