Charles McNulty

The Lincoln Center Festival Mounts Three Tom Murphy Plays

Home, unsweet home

Remembrance of Obies Past

Judges from the last five decades pay homage to the productions and artists they'll never forget

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Faust Things First

Bilingual, time-jumping, and polycultural, John Jesurun scrambles Goethe's mythic egghead

A Radical Queer With an Eleven O'Clock Number in His Heart

Beyond the Stepford Queers

Welcome to the age of do-it-yourself identity

Lear as Daylight

Keeping even Plummer un-plummy, Jonathan Miller makes Shakespeare make sense

Getting Gilbert Unmarried

The famous librettist, sans Sullivan, is most engaging with a play that's so old it's new again

The Taming of the Bard

What's the Trick of Staging Shakespeare? Directors Spill Their Trade Secrets.

Corrections

Merry Mayhem

Growing Pains

Lee Breuer's 'little woman' takes revenge in her dollhouse

Henry IV, Square One

First director's Shakespeare, now un-director's Shakespeare. When do we get Shakespeare?

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Out of the Past

Hearts and Soles

Hedda Shrinker

Giving Us Pause

Theater

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Hamlet, Vegas, and a Big Black Box

On the occasion of the 45th Obie Awards, the Voice's Charles McNulty sat down with four theater directors--Graciela Daniele, Brian Kulick, Marianne Weems, and Evan Yionoulis--to hash out the state of their art here at the start of the 21st century

Waves of Faves

Thirty-Three New York Theater Types Offer Up Their Favorite Productions From the 1999–2000 Season

The Wild Party 3

The 45th Annual OBIE Awards

Love's Labour's Loud

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Last Call

Life Is Not Beautiful

Vice Precedents

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Doom Service

Home Games

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Broadways and Means