Christopher Williams

Summer Art Guide: 'Ghosts in the Machine'

Best in Show: B. Wurtz at Metro Pictures

Ken Johnson's 'Are You Experienced?'; George Kroenert at Elizabeth Harris Gallery

Focus Here! A Round-up of Current Photography Exhibits

Donna Uchizono and Christopher Williams Traffic in Mysteries, Unveiled and Veiled

Summer Guide: Pichet Klunchun Is the Bangkok Rebel

The dancer-choreographer brings his tradition-challenging work to NYC

Crossing Boundaries (Or Not) in Works by Douglas Dunn’s and Margaret Jenkins’s Companies

Christopher Williams Resurrects (and How) a Gaggle of Saints

Douglas Dunn Trips Up the Mind

In Trapèze, a Choreographer Helps Bring Forgotten Music to Life

When is a Bear not a Bear?

Bill Wood's Better Commercial Pictures Took

Wood was no artist. That's what makes him interesting.

Time Trip with Douglas Dunn & Dancers

The 70s are over; long may they live

Earth Movers

From found materials, a choreographer builds a house of dreams

A Little Something for Nothing

Choreographers start from scratch; no cheating allowed

Moving in the Shadows

Morris and Chuma each invite us to dance with invisible guests

Festival Frenzy

Try a little of everything at fall dance smorgasbords

Framing Sevens

Yoshiko Chuma leads us to art and architecture

Listings

Fantastic Visions

Saints and sinners tangle in myths ancient and pomo

Don't Ask Why

A master of the non-linear celebrates his company's 20th anniversary

Getting It

A choreographer squares off against critics of an evanescent art form

Smiles of a Summer Night

The Bessies come of age with a transnational roster

Medieval Torture Meets Contemporary Composition in Evocative Production

Hot Spot

Bravo for Mavericks

Seven choreographers pay homage to a master artist; another probes the strangeness of life

At Peace

Two choreographers grapple with cooperation and consideration in a post-election world

Dance

Tribal Peacefare

Barefoot on a stage and sneaker-shod in the park, two companies build sunlit images

Letters

O For a Muse of Fire

Two choreographers enter history, bringing it to bear on the present and the personal

Listings

In My End Is My Beginning

From across the world and across the continent, fine choreographers grace New York

Pick Your Community

There's No Business Like Show Business

Full Tilt

Theater

One-Man Show

Choreographing for Dancers and Objects

Sleight of Byrd

Working It Out

From Fidel With Love and Other Stories

The I-Don't-Get-It Aesthetic