Elisabeth Moss and Jane Campion bring you Spring’s best new show
Park City's Breakouts
Here's Nick Pinkerton on Sally Potter's Ginger & Rosa. Ginger & Rosa Written and directed by Sally Potter Screens Tuesday, October 9th at 6:15 p.m. and Wednesday, October 10th at 9:00 p.m. Blame it on Boomers reaching the age of nostalgia if you will, but this installment of the NYFF is well-stoc ... More >>
And then I compare Keats with Tila Tequila.
Vinyl Life: Not just hitting the space bar. Photo by David Herron.In this week's Village Voice, Rob Harvilla spends an evening at S.O.B.'s with BLK JKS and returns, a bit overwhelmed: "No band on the planet right now is overplaying with the titanic, fearless, stupendously excessive gusto of S ... More >>
Two decades after the severed ear of Reservoir Dogs, Quentin Tarantino serves up Hitler's head on a plate
Our longtime film critic J. Hoberman is filing regular dispatches from this year's Cannes. The Festival is nearly over, but the question still remains: who will win the Palme? Penelope Cruz in Broken Embraces: Is this Pedro Almodovar's year? The marche has closed up shop, the trades have published ... More >>
Our veteran film critic J. Hoberman is filing regular dispatches from this year's Cannes Film Festival. It's day three and, so far, Hoberman has been underwhelmed. But more importantly, has he found those wild strawberries? Andrea Arnold's Fish Tank: the 15-year-old embodiment of a bad attitude A ... More >>
Leaping rapists and robbers in a single bound, our leading lady takes back the night. Uh, thanks?
The Other of Invention
Jane Campion's feminist film noir stirs up pheromones and occult mystery in a malevolent East Village
Sad Songs, Rock Legends, and a Naked Meg Ryan Dominate the Toronto Film Festival
A Stubborn Slump for NYC Production
Hardest-Movie-Quiz Answers Revealed
Candor and Cool
Fear and Desires
The optimist's guide to the Millennium's final fall-movie crop
A rundown of the season's movies handpicked for their potential wondrousness or probable woefulness.
Previewing the 36th New York Film Festival