Subject:

Pablo Larrain

  • Blogs

    May 23, 2012

    Cannes Film Festival: Brad Pitt in Killing Them Softly, Gael Garcia Bernal in No, and political propaganda at the movies

    The opening credits of the Brad Pitt-starring Killing Them Softly are set to snatches of Barack Obama's 2008 Democratic Convention speech, focused on the notion of "the American promise," jarringly jump-intercut with scenes of Frank (Scoot McNairy) making his way through a tunnel onto a dismal A ... More >>

  • Film

    April 11, 2012

    A Dazed Witness to History in Post Mortem

    The opening credits of the Brad Pitt-starring Killing Them Softly are set to snatches of Barack Obama's 2008 Democratic Convention speech, focused on the notion of "the American promise," jarringly jump-intercut with scenes of Frank (Scoot McNairy) making his way through a tunnel onto a dismal A ... More >>

  • Blogs

    April 11, 2012

    This Week in the Voice: Sandhogs Under Second Avenue

    This week in the Voice, out today: Sean Manning follows the Second Avenue sandhogs: "Here for 470 million years there had been rock, there are now two 20-foot diameter, butter-smooth concrete tubes--a giant, mile-long double-barrel shotgun buried 100 feet below the Upper East Side... Scant attention ... More >>

  • Film

    March 28, 2012
  • Film

    September 22, 2010

    New York Film Festival: The Hype and the Substance

    This year's NYFF manages both. Plus: Our best of the fest

  • Blogs

    September 7, 2010

    Venice Midpoint: Women Rule

    From Meek's Cutoff​Midway through the Venice film festival, the competition is notable for a pair of features by American women: Sofia Coppola's Somewhere and Kelly Reichardt's Meek's Cutoff -- both minimalist, open-ended exercises in myths debunked and protagonists lost. Evidently inspired ... More >>

  • Film

    December 22, 2009

    J. Hoberman's Favorite Films of 2009

    From Meek's Cutoff​Midway through the Venice film festival, the competition is notable for a pair of features by American women: Sofia Coppola's Somewhere and Kelly Reichardt's Meek's Cutoff -- both minimalist, open-ended exercises in myths debunked and protagonists lost. Evidently inspired ... More >>

  • Film

    July 1, 2009

    Larrain's Tony Manero Turns Fantasies to Nightmares

    From Meek's Cutoff​Midway through the Venice film festival, the competition is notable for a pair of features by American women: Sofia Coppola's Somewhere and Kelly Reichardt's Meek's Cutoff -- both minimalist, open-ended exercises in myths debunked and protagonists lost. Evidently inspired ... More >>

  • Blogs

    July 1, 2009

    This Week's Voice: Michael Jackson, 1958-2009

    In this week's Village Voice, we remember Michael Jackson: Greg Tate on the man and his legacy, rapper Jean Grae on what Jackson meant to musicians everywhere, and Jessica Hopper, reporting live from Gary, Indiana the night Jackson died. Elsewhere, Rob Harvilla describes the daffy sci-fi audacity ... More >>

  • Film

    May 13, 2009

    Summer Guide: Surveillance, Jennifer Lynch's First in 16 Years

    In this week's Village Voice, we remember Michael Jackson: Greg Tate on the man and his legacy, rapper Jean Grae on what Jackson meant to musicians everywhere, and Jessica Hopper, reporting live from Gary, Indiana the night Jackson died. Elsewhere, Rob Harvilla describes the daffy sci-fi audacity ... More >>

  • Film

    December 31, 2008

    2008 Film Poll Results

    In this week's Village Voice, we remember Michael Jackson: Greg Tate on the man and his legacy, rapper Jean Grae on what Jackson meant to musicians everywhere, and Jessica Hopper, reporting live from Gary, Indiana the night Jackson died. Elsewhere, Rob Harvilla describes the daffy sci-fi audacity ... More >>

  • Film

    September 23, 2008

    New York Film Festival 2008

    In this week's Village Voice, we remember Michael Jackson: Greg Tate on the man and his legacy, rapper Jean Grae on what Jackson meant to musicians everywhere, and Jessica Hopper, reporting live from Gary, Indiana the night Jackson died. Elsewhere, Rob Harvilla describes the daffy sci-fi audacity ... More >>

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