509 Atlantic Ave. Brooklyn, NY, 11217
The city’s leading showcase for
vital new music by emerging composers.
Talea, called a "vital part of the New York contemporary-classical scene" by The New York Times, performs works by young composers from six countries culled from the more than 600 submissions to our annual call for scores. Evan Antonellis’s MATA commission sets the stage with a poetic series of miniature journeys for ensemble. David Fennessy takes us on a journey of memory, inspired by the “Thirteen Factories of Canton.” Taylor Brook presents a memory of the summer morning on the lake of Schoenberg’s "Farben." The remaining journeys are more internal: Milica Djordjevic’s moves into the subconscious, while Hugo Morales continues the inward motion, releasing the sounds inherent in objects. Mauro Lanza allows those objects to move on their own and settle, as ashes, into shapes.
MATA is a not-for-profit organization that commissions, presents, and supports the music of a wide array of young composers from around the globe. MATA’s directors are motivated by a desire to create community among composers in the early stages of their careers, especially those whose work does not fit into existing institutions. In providing developing composers with professional performances of their work and valuable connections to colleagues, MATA is a catalyst for their entry into American musical life.
Founded by Philip Glass, Eleonor Sandresky, and Lisa Bielawa in 1996, MATA presents a week-long festival of music by composers under age forty each spring in New York City. Each festival presents up to thirty works by young composers, at least three to four of which are newly commissioned. To date, MATA has commissioned seventy works, and has presented over three-hundred performances of pieces by young composers.