Were Chekhov simply a brilliant satirist, Liska's adaptation might show signs of genius. But the dramatist's strength lies in coupling comedy with nuanced portrayals of human anguish, and on this count Liska falls short. He does little to distinguish between piercing self-reflection and self-absorbed prattle, and he instructs his actors to holler some of the most wrenching monologues in Western literature. Liska makes us expertly aware of our human foibles, but his adaptation captures little of the vulnerability or beauty of Chekhov's singular drama.
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