Giants may ultimately feel slight, but Von Holt's writing is impressively disciplined and measured. Her total commitment to her idiosyncratic fantasy-genre vision and invented language is matched by Jen Wineman's understated direction, Jane Shaw's eerie music and soundscape, Ryan Elliot Kravetz's Grimm-esque set, and two delightfully earnest lead performances by Michael Markham and Autumn Hurlbert. Apart from the facile metaphor of childbirth as hope, the poetic voice is original and refreshingly pop-culture-free. Whimsical without winking, Giants may be the most charming end-of-the-world story around.
A "virtual" chorus of video-projected Valley girls and more
Duck, motherfucker
Stage and screen wrestle it out at the Brick's new fest
The 53rd time is yet another charm
Spastic production should slow down
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