The Dresden Dolls' self-affixed label of "Brechtian punk cabaret" was never quite aptit paraded their aggressive, gaudy pop as a spectacle to be reflectively detached from, yet this concept was never exhibited in any substantial way. But erstwhile frontwoman Palmer is trying a new tack as a solo artist; her 2008 debut, Who Killed Amanda Palmer?, was more personal and plainly emotional, with an inviting warmth her former band never dreamed up. Where her performances were once icy, they are now communal, campy, and just a bit sleazy.
Fri., June 5, 9 p.m., 2009
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