Dir. Milton Moses Ginsberg (1969). A freaked-out shrink (Rip Torn) uses a hidden camera to film his sexual trysts. Milton Moses Ginsbergs faux Warhol, would-be structuralist skin flick is more than a self-indulgent exercise and less than a misunderstood masterpiece. While it would be impossible to take this first feature as seriously as it takes itself, it would be foolish to deny the satisfaction this spectacle of smashed ambitions affords.
Sun., June 12, 5:30 p.m., 2011
Get the ICYMI: Today's Top Stories Newsletter Our daily newsletter delivers quick clicks to keep you in the know
Catch up on the day's news and stay informed with our daily digest of the most popular news, music, food and arts stories in New York, delivered to your inbox.