Much like their album covers, indie rockers Of Montreal’s concerts are Technicolor experiments in surrealism, where the band dramatize their songs with oversized props and extravagant costumes. Despite the bells and whistles, or maybe because of them, the band manages to bring its mixture of Berlin-era Bowie and, in the case of their 11th full-length, this year’s Paralytic Stalks, what sounds like Nile Rodgers would make on acid.
Tue., Dec. 11, 7 p.m., 2012
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