Rightly or not, this Vegas mob drama has been one of Martin Scorsese’s more maligned efforts, and a decade after its original theatrical run, it might be due for reconsideration. This edition features deleted scenes and behind-the-scenes material.
“For almost 20 years, Sylvester has been an icon of San Francisco nightlife: outrageous, bold, proud. Today, he is a symbol of a totally different San Francisco — a gay man struggling to stay alive”
“For the first five years that I was writing for The New Yorker,” says a longtime contributor, “the closest I ever got to a person of color was a young white fact-checker with dreads.”
“Given that black folks make art and market it within white supremacist capitalist patriarchy, none of us can ignore the reality that any black person who wants to create a product with mass crossover appeal must do some serious soul-searching”
“The new paternalists really think, it seems, that their utterances of the oldest racial cliches are, somehow, a demonstration of their liberation from the hanky-panky of liberalism and God knows what else”