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A weekly and utterly subjective compendium of theater news and opinions:

Charles Isherwood offers a contrarian take on The Coat of Utopia

Adam Feldman loves up The Merchant of Venice and hates on The Jew of Malta, running in repertory

Playgoer Garrett Eisler offers an analysis of Vertical Hour‘s early close

The Brooklyn Rail sits down for an interview with Christopher Shinn concerning the upcoming Dying City

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