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Death to critics!
This week, in the Village Voice theater section:
Michael Feingold responds to Charles Isherwood’s boredom with The Coast of Utopia and offers some concluding remarks on the whole of the Stoppard trilogy. Feingold charges, “[Stoppard’s] passion for ideas itself starts to seem an evasion.”
I conflated Sam Marks’s Nelson, an ambitious drama about a talent agency employee, to Marc Spitz’s Your Face Is a Mess, an unambitious but sunny entertainment in which a drug dealer attempts to reform.