Al Green Samples Some New Producers


Al Green’s biggest hit is called “Let’s Stay Together,” but for his latest long-player, the famed Memphis soul singer declined to take his own advice. After reuniting earlier this decade with producer Willie Mitchell, the architect of his early-’70s classics, Green made Lay It Down (due out May 27) with two new jacks from Planet Rap: James Poyser (who’s worked with Common, Lauryn Hill, and Erykah Badu) and Roots mastermind Ahmir “?uestlove” Thompson. Still, don’t expect a hip-hop makeover of Green’s old material.

“I don’t know how to update something that’s already been done,” Green says. “We was gonna recut ‘You Ought to Be With Me’ in 1987, and we found out real fast that you need to leave that alone. That song whupped our behind like we had just stole something!” Instead of retrofitting Green’s music, the producers tried to “stay true to this sound that Ahmir and I have taken so many cues from,” says Poyser. “Al’s old records are a huge part of what Ahmir and I do.”

Indeed, despite guest appearances by John Legend, Anthony Hamilton, and Corinne Bailey Rae, Lay It Down resembles one of Green’s earlier albums. “It’s not a huge departure,” says Neal Sugarman of the Dap-Kings Horns. (They served as Green’s backing band alongside Thompson, Poyser, guitarist Chalmers “Spanky” Alford, and bassist Adam Blackstone.) “I think Ahmir and James called on us because they were hoping to deliver something authentic-sounding. If they wanted something superslick, they would’ve called some L.A. horn section.”

Poyser says they wrote four of the album’s 11 tracks on the first day in the studio. “Al got in the booth and started making up some words, and we just started playing. You could see on Al’s face if something was working or not.” Recalling the session, Green says: “They was asking me what I thought the record ought to sound like. I said, ‘Let me do what I do and let you play what you play, and then we’ll get together and grin at one another when we get through.’ ”

The results are definitely grinworthy: Though his voice now exudes more old-soul wisdom than young-man sensuality, Green rides the band’s deep grooves with inimitable ease. If there’s someone else in his sixties making records this effortlessly funky, he’s not releasing them for public consumption.

On June 27, as part of the JVC Jazz Festival, Green will bring some of Lay It Down to Carnegie Hall, his first time performing there. Fans should be thrilled if Green delivers a set like the one he gave at last year’s JVC festival in Newport. “Al wasn’t good,” says veteran Newport producer George Wein. “He was sensational.”

Green takes the compliment in stride. “A lot of people don’t jump up and try to sing my stuff, because they think it’s too hard,” he explains. “[They say,] ‘I gotta try to do all these A-flat minor sevens and augmented A-flat nines? Oh, hell no!’ ”

Rilo Kiley
June 2-3

In spite of their obvious showbiz savvy (singer Jenny Lewis and guitarist Blake Sennett led former lives as child actors), these L.A. guitar-popsters underestimated the backlash they’d provoke by going sleek and sexy on last year’s Under the Blacklight. Don’t believe the anti-hype: With its inside-out assessments of Hollywood’s young and restless, Blacklight says more (and does so more satisfyingly) than most of Rilo Kiley’s indie-scene peers. & Terminal 5, 8 p.m.,

The Breeders
June 10

Their new Mountain Battles is a hazy, haunting psych-pop meditation sung in several languages, but don’t take that as an assurance that Kim Deal’s Breeders will stick to the mellow stuff. Deal likes to keep people (including her bandmates) guessing, which means maybe they’ll show up here in loud-and fast mode and do “Cannonball” like they were Motörhead. & Webster Hall, 7 p.m.,

Robert Plant & Alison Krauss

June 10-11

In an interview last year, Plant told me that he couldn’t imagine making his and Krauss’s gorgeous Raising Sand with someone other than producer T-Bone Burnett—so it’s a good thing that Burnett’s on tour with the duo, helping to re-create the album’s lush goth-roots vibe onstage. Expect most of the material from the record, but don’t be surprised if they pull out some unreleased gems, too. & WaMu Theater at Madison Square Garden, 8 p.m.,

Alicia Keys+Ne-Yo+Jordin Sparks
June 18

On her records, Keys makes no bones about presenting herself as part of an r&b tradition that goes back hardly further than Dangerously in Love. Catch her onstage, though—where she’s not bound by the strictures of radio and MTV—and you get the complete picture of her aspirations: Homegirl demands no less than R-E-S-P-E-C-T. Ne-Yo colors outside the lines of the slow-jam blueprint on his forthcoming Year of the Gentleman. “Closer,” the lead single, pretty much constitutes a straight-up house track. American Idol champ Sparks probably sends Keys a fruit basket every day. & Madison Square Garden, 7:30 p.m.

Sonic Youth+The Feelies
July 4

A free holiday show by the godparents of New York noise rock is not an occasion to pass up. When it comes equipped with an opening performance by New Jersey’s Feelies—the influential guitar-pop outfit’s first since the early ’90s—it’s a solid reason to miss your annual Fourth of July barbecue. & Battery Park, time TBA,

Siren Music Festival
July 19

The Voice’s annual indie-rock spectacular should attract more stoners than usual this year, thanks to headliners Broken Social Scene and Stephen Malkmus & the Jicks, both of whose recent material has minimized the distance between hipster and hippie. Also on the bill: Baltimore dream-folk duo Beach House, North Carolina psych-popsters Annuals, local math-punk outfit Parts & Labor, and TV on the Radio protégés Dragons of Zynth. With the Helio Sequence, Times New Viking, Jaguar Love, the Dodos, Film School, and These Are Powers.& Coney Island, 12 p.m.

George Michael
July 21 & 23

The embattled pop star is promising stuff from throughout his career (including the Wham! hits) on this North American tour, which follows up a blockbuster jaunt in Europe last year. Love George Michael, but is anyone else surprised that the dude still commands a fan base capable of filling the Garden for two nights? & Madison Square Garden, 8 p.m.

Jonas Brothers

August 10-11

Those who say this outrageously popular Radio Disney sibling act doesn’t have tunes aren’t listening: Check out the Jonas Brothers’ self-titled 2007 disc for an idea of what Franz Ferdinand would sound like if they’d been held captive in the House of Mouse. Or maybe those doubters are just listening live, where the sound of 20,000 preadolescents shrieking in unison pretty well drowns out the boys in the band. & Madison Square Garden, 7 p.m.


August 13-17

Rancid have a new album due out this summer, their first since 2003’s Indestructible. To celebrate the occasion, they’re heading out on their most extensive North American tour in years. Considering frontman Tim Armstrong’s recent forays into songwriting for hire, there’s an (extremely unlikely) chance that the new stuff will diverge from Rancid’s true-school punk rock. & Fillmore New York at Irving Plaza, 7:30 p.m.,