The short editorial Joan Didion read at the Brooklyn Book Festival back in September, about the upcoming election, is now online at Salon. It joins James Wood’s piece in the New Yorker last week in examining the basic language out of which the two presidential campaigns have constructed their respective ‘narratives’. In fact, it’s this weird demand for a story that Didion nails to the wall:
For at least some months it had been clear that we were living in a different America, one that had moved from feeling rich to feeling poor. Many had seen a mandate for political change. Yet in the end the old notes had been struck, the old language used. The prospect for any given figure had been evaluated, now as before, by his or her “story.” She has “a wonderful story” we had heard about Condoleezza Rice during her 2005 confirmation hearings. “We all admire her story.” “I think she’s formidable,” Senator Biden said about Governor Palin a few weeks ago. “She has a great story. She has a great family.”
Senator Biden himself was said to have “a great story,” the one that revolved around the death of his first wife and child and taking the train from Washington to Wilmington to be with his surviving children. Senator McCain, everyone agreed, had “a great story.” Now as then, the “story” worked to “humanize” the figure under discussion, which is to say to downplay his or her potential for trouble. Condoleezza Rice’s “story,” for example, had come down to her “doing an excellent job as provost of Stanford” (this had kept getting mentioned, as if everyone at Fox News had come straight off the provost beat) and being “an accomplished concert pianist.”
That latter detail is unreal.