(Michael Wadleigh, 1970).
Once upon a time, this ultimate rock doc seemed like a hippie Triumph of the Will; now it’s more like the boomer Gone with the Wind, long, quaint, and terminally over-mythologized.
“The business changed drastically in the nine years we were doing the show to the point where I don’t think ‘Everybody Loves Raymond’ would have gotten on the air the year it went off the air.”
‘Two years ago, abortion was almost always discussed in feminist terms — as a political issue affecting the condition of women. Since then, the grounds of the debate have shifted drastically.’