Dir. Agnès Varda (1962).
Agnès Varda’s most overtly nouvelle vague caprice films the uncertain afternoon of a glamorous young Parisienne, waiting for the results of a medical exam, in real time—among other things, it’s a suggestive foremother to Chantal Akerman’s Jeanne Dielmann. Slate film critic Dana Stevens will introduce.
Sat., Nov. 7, 6:50 & 9:15 p.m., 2009