Phoenix, Arizona! The fifth most populated city in the country. It’s the capital of Arizona, the Grand Canyon State! It’s also — as the center of the United States’ immigration crisis with two sides viciously battling over the future of millions of people — the place where the most people in America go missing at the hands of others. For this week’s Village Voice cover story, Monica Alonzo sheds some light on a dark, dark place, touring readers Inside the Brutal World of America’s Kidnapping Capital.
Elsewhere this week in News, we’re illuminating some places in need of better lighting locally:
This week in Music, we’re shining praise on the not-at-all-lost past, the obscure present, and the rising future.
Any chance you remember Queens of the Stone Age’s first album, Rated R? You very well might. It was only released 10 years ago, so does we really need a reissue with “negligible” outtakes and a few live tracks? Not really, notes Voice music editor Rob Harvilla. But that doesn’t make it any less necessary, which it is.
Any chance you’ve ever heard of the Fuckaroos? That’s because they don’t exist, or they didn’t, until San Francisco troubadour Sonny Smith invented them, wrote a song for them, recorded it, and put it on a disc with a cover in a jukebox, along with 99 other fake bands Sonny Smith invented as well. Smith’s undertaking premieres to the public later this week in Williamsburg; until then, Kurt Gottschalk’s explanation will suffice.
Any chance you’ve ever heard of Freddie Gibbs? You will. Jayson Greene explains why Gibbs, “the internet’s hottest rapper,” wants his money now, and then, why he deserves it.
Meanwhile, Voice food critic Sarah DiGregorio finds something Manhattan’s somewhat lacking in — honest-to-god Vietnamese food — along with “”one of the richest, most luscious dishes I’ve eaten in a long time” at Vietnamese restaurateur Steven Duong’s newest Chelsea spot, Co Ba.
In Film, we’re lighting a few movies. Lighting them up:
“It’s a make-it-or-break-it period for us. We do the right thing, we’ll be able to pull into the 21st century with some kind of program. We do the wrong thing, the 21st century is going to be gone, there’ll be no coming back”
“These people act like we drink a gallon of blood and hang upside down from crucifixes before we go onstage,” Rob Halford says. “We’re performers, have been for two decades. We do the show and we wear the costumes our audience expect us to.”