VOICE CHOICES ARCHIVES

Broken Blossoms, or The Yellow Man and the Girl

by Jim Hoberman

November 24, 2010

Dir. D.W. Griffith (1918).
Lillian Gish was never more expressive, nor D.W. Griffith more Victorian, than in this beautifully composed, exquisitely directed, crassly racist 1917 symphony of sentiment.

Wed., Dec. 1, 7 p.m., 2010

More:Culture D.W. Griffith Lillian Gish

Highlights

MUSIC 2021

Clever Is Done Being An “Industry Secret”

'Rolls Royce Umbrella' is a rags-to-riches song. It goes like ‘from misery to mimosas’ and ‘I was poor and now I’m poured up.’

by Ryan Leutz

March 5, 2021
MUSIC 2021

N8NOFACE Isn’t Playing: Screamers-Loving Punk Loves Screaming

“The only difference is the subject matter, which is something you might find in an outlaw country song, or a rap song. Tales of drugs and streets."

by Brett Callwood

March 4, 2021
ANALYSIS 2021

Silent Cuomo Mired in Twin Scandals

"You can’t make three enemies a week for 10 years and hope to survive. People who were close to him are like, ‘Andrew Cuomo, who’s that?’”

by Ross Barkan

March 2, 2021
ART 2021

From Russia With Passion — Jules Olitski’s Rollicking ’60s Paintings

Olitski’s paintings were racing at the fore of their moment, as if the artist could see ahead to the psychedelic biomorphs later emblazoned on headshop posters

by R.C. Baker

February 27, 2021
MUSIC ARCHIVES

Lou Reed Rising

"This walking crystallization of cankerous cynicism possesses such legendary anticharisma that there's something princely about him, something perversely impressive"

by James Wolcott

Originally published March 1, 1976
News 2021

The Face of Cannabis: Treating a Disfiguring Bone Disease

Given how aggressively Rylie’s tumors were growing and the rate at which they were consuming her bones, her team of doctors had her in the operating room in a matter of days

by Sarah Ratliff

March 1, 2021