Dir. Sergei Eisenstein (1924).
Sergei Eisenstein made a stunning debut with the wildly theatrical, open-air expressionism of this genuinely experimental movie, filled with jolting ideas not yet codified.
I had access to a little fund to invite speakers to the school. When I thought of who would make an engaging guest speaker, my number one choice was Larry Flynt.
Olitski’s paintings were racing at the fore of their moment, as if the artist could see ahead to the psychedelic biomorphs later emblazoned on headshop posters
Given how aggressively Rylie’s tumors were growing and the rate at which they were consuming her bones, her team of doctors had her in the operating room in a matter of days