Dir. Yoko Ono (1969).
Yoko Ono’s voyeuristic masterpiece is an unsettling real-time experiment in which an unsuspecting subject is dogged to the point of near-breakdown by a non-communicative camera crew.
“His cheeks, colored by a network of ruptured blood vessels, were formed by a coalescence of hanging globules, beneath which the double fold of his chin melted into his neck. And his skull was strung with cords of fat.”