Dir. Chantal Akerman (1975).
Chantal Akerman’s spectacular anti-spectacular (three days in the life of a housewife-prostitute) is a great synthesis—the meeting of structuralist film and feminist theory, one of the key European movies of the ‘70s.
Fri., May 6, 7 p.m., 2011
This article from the Village Voice Archive was posted on April 27, 2011