An Injury to One

Dir. Travis Wilkerson (2002).
Recalling the great strikes of the World War I period and explicates the death of an IWW organizer in Butte, Montana Travis Wilkerson’s documentary-essay is a model of low-budget formal intelligence as well as engaged filmmaking.

Sat., Jan. 7, 7:15 p.m., 2012

This article from the Village Voice Archive was posted on January 4, 2012

More:Anthology Film Archives Butte (Montana)Culture Travis Wilkerson

Archive Highlights

Music

Michael Jackson: Man in the Mirror

“Jackson has inspired debate over his cosmetic decisions because the residue of the ’60s black nationalism and the condescension of those who would pity or mock black Americans have met over the issue of his face, his skin tone, his hair”

by Stanley Crouch
The Front

New Jack City Eats Its Young

“Detroit is a city whose horror reaches cinematic proportions, like 'The Living Dead Wear Kangols and Filas.' However you like your chiller theater, Detroit is the worst because it’s real.”

by Barry Michael Cooper
The Front

Quickly: A Column for Slow Readers

“Dear reader, we begin a collaboration, which may go on for three weeks, three months, or, Lord forbid, for three-and-thirty years. I have only one prayer — that I weary of you before you tire of me”

by Norman Mailer
News & Politics

Bob Woodward, Inside Dope

“Woodward is hardly trying to cripple a presidency. (He's already done that, right?) But like his fellow permanent Washingtonians, he thinks it only fitting to put Clinton in his place”

by Tom Carson
Music

Sinatra at 80: Practice Makes Posterity

“Nobody who played jazz was considered able to walk in and do a studio call. They were convinced you couldn't read, or you wouldn't show up, or you'd fall down drunk”

by Milt Bernhart as told to Gary Giddins
Music

Marvin Gaye: The Power and the Glory

“Drugs became his escape hatch and his prison. As his In Our Lifetime so brazenly articulates, the devil was after his soul and damned if he wasn’t determined to win”

by Nelson George

Film

An Injury to One

by Jim Hoberman

Archive Highlights