Another handsome handcrafted charmer from Laika, the stop-motion shop that gave us Coraline, makes up for lacking its predecessor’s delicacy by also lacking its dispassion. In scenic Blithe Hollow, whose main industry is the window-dressing of its own witch-hunt history, and whose founding fathers return one night as marauding zombies, a lonely little dead-people seer finds his calling at last. Customarily shunned and necessarily groupthink-resistant, young Norman, voiced by Kodi Smit-McPhee, stands poised to transpose middle school estrangement into redemptive proto-adult empathy. This occurs by way of agreeably domesticated grind house tropes, tricked out with snazzy F/X. At Comic-Con, debut writer and co-director Chris Butler called it “John Carpenter meets John Hughes,” and that does just about sum ParaNorman up, though the actual math still feels a little fuzzy. Butler and co-director Sam Fell, of Flushed Away, have more vernacular command than tonal harmony; if they achieve roughly equal parts lulz and lulls, at least it’s through a steady pressure of avidity. Better still, animation affords a supporting cast playing contentedly against type: Anna Kendrick as a vain ditz, Christopher Mintz-Plasse as a dopey bully, and Casey Affleck as a meathead jock.
This article from the Village Voice Archive was posted on August 15, 2012