Mix a dollop of The Bourne Identity, a dash (or two) of Taken, and a pinch of the spy classic Three Days of the Condor (1975), stir it all together, and you get Erased, a thriller whose storytelling ingredients are so familiar that one could watch it with the sound off and still know what’s going on. Aaron Eckhart is Ben Logan, a recently widowed private security analyst living in Brussels who awakes one morning to find his office empty, his co-workers in the morgue, and his personal identity wiped away. With his rebellious teenage daughter, Amy (Liana Liberato), in tow, Ben begins dodging assassins. As luck would have it, he’s a retired black-ops agent, so, game on. German director Philipp Stölzl proves adept at staging fight scenes in confined spaces, and has fun with a bob-and-weave train station pursuit. The movie zips along nicely for a while, but once screenwriter Arash Amel begins explaining the vast conspiracy Ben has stumbled upon, action gives way to talky angst. Eckhart is too lively an actor for material this mundane, although a Liam Neeson hand-me-down is probably irresistible in today’s marketplace. Can Erased Again be far behind?