Film

Psychological Horror Flick ‘Anguish’ May Be About Possession, Is Definitely Anguish

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There’s not much to be said about Sonny Mallhi’s languid psychological drama — moonlighting as a possession-centered horror film — that hasn’t already been said by the title.

Anguish follows Tess (Ryan Simpkins) as she fails to recover from the accidental death of her best friend, Lucy (Amberley Gridley), her grief manifesting in increasingly physical ways until her mother (a very young-looking Annika Marks) begins to believe that Tess is acting as a vessel for spirits — specifically Lucy’s — to re-enter the physical world.

Watching Tess’s and Lucy’s mothers (such tired, tired mothers) put this painful nonsense to rest is definitely a sad affair. Trying his directorial hand after working as a producer on a handful of middle-grade horror films (The Stranger,The Roommate), Mallhi struggles with the self-seriousness of his subject matter. His shots are all portentous darkness and dreary suburban houses, signifiers of detachment and malaise, while melancholy guitar-picking constitutes the soundtrack.

Simpkins, meanwhile, who bears the brunt of making the possession shtick convincing, isn’t seasoned enough to come off as anything more than a sullen teen with a penchant for elaborate tantrums. With atmosphere this thick, the jump scares are more out of place than startling, and watching two women wearily murmur to each other, “Maybe she just needs…closure” is convincing enough evidence that nobody here is really focused on the shock factor. Mallhi might have nixed his horror aspirations, which only get in ‘s way, and fleshed out his characters’ very real existential dread. That could have been less painful.

Anguish

Written and directed by Sonny Mallhi

Gravitas Ventures

Opens December 18

Available on demand

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