For eight years now, the folks behind Brooklyn Magazine have staged a North Brooklyn–centric SXSW-style festival, with hundreds of bands playing various venues scattered throughout Williamsburg and its neighbors. McCarren Park is the epicenter of the melee, with four nights of outdoor shows. A newly reunited Wolf Parade kick things off on June 9, followed by Grandmaster Flash the next night. On Saturday, Conor Oberst, Kacey Musgraves, and the Felice Brothers turn the park into an alt-country meadow. The good vibes continue Sunday, when Brian Wilson performs Pet Sounds in its entirety after an opening set by Spanish rockers Hinds. But staying there all weekend would be a mistake, because the offsites are just as good: There’s Colleen Green’s late show at Baby’s All Right and DAWN at Market Hotel (both Friday); Saturday’s bonkers Pitchfork showcase at Saint Vitus, featuring Lotic, Rabit, Marshstepper, and Priests; and Grouper’s two sets the same day, at National Sawdust, where the stunning acoustics will do rare justice to Liz Harris’s rich aural landscapes. On the quirkier end of the spectrum, there’s a spin class on June 11 soundtracked live by artists from Brooklyn’s Godmode Records, and for vinyl nerds, the 33 ? book series hosts Frankie Cosmos, Ava Luna, and Deradoorian at Rough Trade to cover (respectively) Liz Phair, Serge Gainsbourg, and Black Sabbath. Various Brooklyn locations — Lindsey Rhoades
As the patron saint of Midwest lo-fi, Robert Pollard, now nearing sixty, has helmed Guided by Voices for three decades, releasing over twenty LPs brimming with short, irreverent ditties indebted to pop, garage, psych rock, and punk. With bits of bizarre noise and lots of tape hiss, GBV challenged the way a rock recording should sound, but Pollard’s unpredictable whims and the perpetually rotating lineup made official tours few and far between. That makes their headlining slot guiding the Voice‘s own 4Knots Festival, which returns this year to South Street Seaport, even more exciting. Pollard has a younger counterpart of sorts in Will Toledo, who plays earlier in the day as Car Seat Headrest. His earnest, devotedly DIY solo project has already produced two albums less than a year after signing with Matador, culled from his huge catalog of home recordings. The rest of this year’s lineup expands into new genres for the festival, from Canadian alt-country (the Strumbellas) to cerebral Detroit postpunk (Protomartyr), Pro Era–affiliated hip-hop (Kirk Knight), heady electronica (Bayonne), and acoustic folk punk (Girlpool). Along with the move back to the Seaport comes another welcome change: a reduction of admission back to zero, one of the best festival deals in town. South Street Seaport, 199 Water Street — L.R.
Out in the Streets
Four years ago, after getting a start in 2009 as an offshoot of Make Music New York, a collective of punk-loving show promoters brought a scrappy festival to one of the city’s most bucolic settings: the Vander Ende-Onderdonk House, in Ridgewood, Queens. Originally built in 1661, it’s the oldest Dutch Colonial farmhouse in New York City, sitting just off Flushing Avenue on two grassy acres with gorgeous views of the skyline. If the venue seems out of place for the slew of indie and garage acts sure to shatter its stately veneer (included in the lineup: the So So Glos, Frankie Rose, Potty Mouth, TEEN, Guerilla Toss, Future Punx, the Teen Age), rest assured that OITS is dedicated to its hyper-local Bushwick/Ridgewood focus, right down to the food vendors, art installations, and flea market that accompany the music. Vander Ende-Onderdonk House, 1820 Flushing Avenue, Queens — L.R.
It seemed like Governors Ball had the lock on throwing festivals on that oft-forgotten patch of land between East Harlem and Astoria, but the folks who brought Coachella to SoCal and the New Orleans Jazz Festival to, um, New Orleans are jumping into the festival fray with Panorama. There’s no shortage of summer blockbusters, sure, but there’s also no shortage of great music to bring to fans. Headliners here include Arcade Fire, Kendrick Lamar, and LCD Soundsystem, all well-accustomed to making their shows work for big outdoor crowds. But as with any festival, looking farther down on the poster yields a gold mine. Friday (call out from work!) hosts endearing Snapchat king DJ Khaled and the commanding multidisciplinarian FKA twigs, whose alternately heavenly and heavy music anchors her incredible dancing. Saturday includes fast-rising producer/DJ Kaytranada, the toast of, well, everyone, and Anderson Paak, a riveting rapper who blends soul with hip-hop and will without a doubt join Kaytranada during the latter’s set. (He appeared on Kay’s debut earlier this year.) Finishing out the mid-pack highlights Sunday are White Lung, a Canadian trio who play punk with an ear for metal, and everyone’s favorite 42-year-old-dads-who-DGAF rap duo, Run the Jewels. Randalls Island Park — Zoe Leverant
If you walked by 151 Avenue B in 1953, there’s a decent chance you’d bump into the guy who conceived bebop. Charlie Parker was an East Village family man back then, and, much like us stressed-out mortals, he enjoyed Tompkins Square Park as an oasis from urban pressure. Now that patch of green is home to the Charlie Parker Jazz Festival, a gathering of talent inspired by the icon’s indelible impact. Over its 24 years the festival has grown from an afternoon affair into a weekend’s worth of music, with Marcus Garvey Park added as a second site. (Bird spent as much time blowing with his buds in Harlem haunts as he did hanging out downtown.) It’s a particularly casual summer outing: The stages are close to the audience, the intimacy enhances the music, and informality rules. This year’s programming is, as always, sharp as a reed. There’s a Friday-night show with Jason Lindner’s strings-enhanced Breeding Ground outfit, a Sunday affair that puts Donny McCaslin’s fierce tenor sax in the spotlight, and of course the headliners: 90-year-old Randy Weston uses a motherland pulse to create utterly captivating music with his African Rhythms ensemble on August 27, and the new hook-up of Jack DeJohnette, Dave Holland, and Jason Moran is one of those supergroup deals that, with its ample chemistry, actually makes perfect sense. Think of Bird, and expect a little magic. Marcus Garvey Park (Madison Avenue and East 120 Street) and Tompkins Square Park (Avenue A and East 7th Street) — Jim Macnie
Afropunk, which describes itself as “The other Black experience,” was inspired by James Spooner’s 2003 documentary of the same name that explored the largely ignored history of people of color in punk. The first festival happened in Brooklyn in 2005, and has since grown into a successful online magazine and a spinoff festival in Paris. They are all sorely needed spaces in a music world long dominated by white fans and artists. This year, as always, the lineup features performers who defy the conventions of predominantly black genres like hip hop, or who exist in genres that have traditionally excluded people of color, like punk, electronic, metal, and experimental music. There are big names, including Ice Cube, TV on the Radio, Flying Lotus, and Ceelo Green, who you might see at a mainstream fest like Panorama, but the spirit of Afropunk is in the smaller acts, like the poetic sonic explorer Saul Williams and leftist punks Downtown Boys. A good portion of the Odd Future crew, including Tyler, the Creator; Earl Sweatshirt; and alt-r&b band the Internet, play, too; so do legends like George Clinton and Living Colour. Festival-goers dress to be seen, and the photo reports that inevitably follow are nearly as amazing as the event itself. Commodore Barry Park, Flushing Avenue and Navy Street, Brooklyn — Sophie Weiner
This article from the Village Voice Archive was posted on June 1, 2016