Michael Atkinson

The last list of the underrepresented films of 2024, which you likely didn’t hear much about — but need to see, stat.

Robert Eggers’s remake of the 103-year-old classic might not be as timeless, but its vision of old-world bloodletting proves timely.

Brady Corbet’s three-plus-hour rise-and-fall-and-then-sideways extravaganza erects an edifice that doesn’t quite stand up. 

Magnus von Horn and Line Langebek’s World War I–era tale mixes serial killings with foreshadowings of today’s war over reproductive rights.

Treat those on your nice — or naughty — list to hard copies of enduring classics, beguiling chills, riot-grrrl ferocity, and earnestly inept porn.

Mohammad Rasoulof aims his film’s ire squarely at Iran’s theocracy.

The award-winning film focuses on the wary, the reticent, and the repressed.

Hannah Peterson’s first feature relies so heavily on Mina Sundwall’s aching performance, it could’ve been a silent film.

Artifacts speak for themselves as they embark on a long journey home.

Screening four decades’ worth of the Canadian filmmaker’s celluloid fever dreams at IFC.