A look at three books that explore dance life, history, politics, and “techno-dialogic feats for the animated bestiary.”

“Rube G. — The Consequence of Action” enlists the audience but misses the Rube Goldberg Machine mark.

Merging cinematography and choreography requires a fine balance.

An “apocalyptic flock of birds” delights at the Joyce.

The venerable choreographer concentrates 100 years of source material into a fervent performance.

It seems wildly counterproductive for producers to hamstring potential reviewers with lists of conditions and expectations

"It’s not about how hard your legs go, it’s about ‘Can you tell the story?’ And Edie can.”