"Like conceptual art and Pop, graffiti questions the context in which art is appreciated. It renews the dream of work for its own sake, the idea of creation as a democratic process — in short, radical humanism"
“The paragons of excellence we got stuck with were the nark look-alikes Ford and Mantle. Now they call them Butch Cassidy and the Sundance Kid and paint them lovable, but they still could ruin a pot party. They’re so blond.”