One day, a ewe gives birth to a baby girl lamb whose unusual physical characteristics mark her as something more than just a lamb

The deep emotional undercurrent courses through the film like a virus courses through your veins

As a duo, Venom and Eddie have a more interesting relationship than Pepper Potts & Tony Stark and Peter Parker & Mary Jane Watson combined

The film becomes more fluid as the dance becomes more fluid

The spiritually arid universe that cinema currently inhabits is likely to receive ‘The Card Counter’ as something fresh: an intellectually serious work by a seriously intellectual filmmaker

‘Possession’ is a merciless plunge into psychodrama, a scenes-from-a-marriage in which the spontaneous generation of oozing monsters isn’t the most appalling thing going on

“If you want to live a long life, handsome, never try to know yourself.”

The real highlights of the film are the characters – multifaceted individuals whose story arcs are as compelling as the movie itself

It’s revisionist history filtered through a John Waters-like sensibility

Is John just a good kid having a hard time or a garden variety sociopath?