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War In Ukraine
Navigating a War Zone: Ukrainian Railways in Conversation
By Anna Conkling
Letter From Iran
A Freedom of Choice Revolution Is Roiling Iran
By Roshanak Darabi
THE FRONT ARCHIVES
Beautiful Butchers: The Shah Serves Up Caviar and Torture
By Alexander Cockburn, James Ridgeway and Jan Albert
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ART ARCHIVES
On the 100th Anniversary of Opening King Tut’s Tomb, All That Glitzes Is Still Not Gold
By Rosalyn Drexler
VOICE OF THE AGES
Remembering Michael Feingold and the Heat-Seeking Missiles of His Theater Criticism
By The Village Voice
MUSIC
Dion: The Wanderer Has Never Left the Building
By Rafael Alvarez
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Theater
Review: Audra McDonald Takes ‘Ohio State Murders’ to Its Limit
By Michael Musto
Dance
Sally Silvers Puts New Wine in Old Bottles
By Elizabeth Zimmer
ART
Sculptor Isabelle Albuquerque: Ten People, Two Cities, One Body
By Shana Nys Dambrot
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Beggars Banquet
MUSIC ARCHIVES
Beaten or Stoned? Was 1968 the Beginning of the End of the Sixties?
Fifty years ago this week, the Voice reviewed the “White Album” and “Beggars Banquet,” two records that caused a raft of trouble
by
R.C. Baker
December 14, 2018
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