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War In Ukraine
Navigating a War Zone: Ukrainian Railways in Conversation
By Anna Conkling
Letter From Iran
A Freedom of Choice Revolution Is Roiling Iran
By Roshanak Darabi
THE FRONT ARCHIVES
Beautiful Butchers: The Shah Serves Up Caviar and Torture
By Alexander Cockburn, James Ridgeway and Jan Albert
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ART ARCHIVES
On the 100th Anniversary of Opening King Tut’s Tomb, All That Glitzes Is Still Not Gold
By Rosalyn Drexler
VOICE OF THE AGES
Remembering Michael Feingold and the Heat-Seeking Missiles of His Theater Criticism
By The Village Voice
MUSIC
Dion: The Wanderer Has Never Left the Building
By Rafael Alvarez
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Theater
Review: Audra McDonald Takes ‘Ohio State Murders’ to Its Limit
By Michael Musto
Dance
Sally Silvers Puts New Wine in Old Bottles
By Elizabeth Zimmer
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Sculptor Isabelle Albuquerque: Ten People, Two Cities, One Body
By Shana Nys Dambrot
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On the Beach at Night Alone
FILM ARCHIVES
The Great Hong Sang-soo on Getting Personal in His Movies — and the State of Korean Beer
by
Kristen Yoonsoo Kim
November 16, 2017
FILM ARCHIVES
“On the Beach at Night Alone” Is an Agonizingly Personal Portrait of an Affair
The prolific Korean director Hong Sang-soo may have made one of his most candid works yet
by
Bilge Ebiri
November 13, 2017
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