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NEWS & POLITICS ARCHIVES
Mugging the White Liberal
By Jack Newfield
War In Ukraine
One Year of War: In Conversation with Ukrainians Standing Fast
By Anna Conkling
ART ARCHIVES
Beyoncé and Jay-Z Work It Out in the Louvre
By R.C. Baker
Path 2
NEWS & POLITICS ARCHIVES
Mugging the White Liberal
By Jack Newfield
CULTURE
‘Creed: The Musical’: Not an Unserious Production by Unserious People
By Will McDonald
ART
Waiting for the Nighthawks – Edward Hopper and the Denizens of New York
By R.C. Baker
Path 2
FILM
‘Boston Strangler’ Is No ‘Zodiac,’ But It Still Has Some Juice
By Michael Atkinson
VOICE CHOICE
Tod Browning: Auteur of the Shadowlands
By Michael Atkinson
BOOKS
Barbara Browning’s ‘The Miniaturists’ Contains Tiny Multitudes
By Rhoda Feng
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Venice Film Festival
FILM ARCHIVES
Venice Update: Ethan Hawke’s Good Kill Is an Intimate War on Terror Drama
by
Stephanie Zacharek
September 5, 2014
FILM ARCHIVES
Venice Film Festival: Michael Almereyda Makes Magic with Cymbeline
by
Stephanie Zacharek
September 4, 2014
FILM ARCHIVES
Venice Film Festival: Al Pacino Rediscovers His Inside Voice
by
Stephanie Zacharek
September 2, 2014
FILM ARCHIVES
Venice Film Fest: Joshua Oppenheimer’s The Look of Silence Is More Honest Than The Act of Killing
by
Stephanie Zacharek
August 30, 2014
FILM ARCHIVES
Venice Film Fest: In Birdman, Michael Keaton Is Haunted by His Superhero Past
by
Stephanie Zacharek
August 29, 2014
Media
House of 1,000 Corpses
by
J. Hoberman
January 8, 2008
FILM ARCHIVES
Catching the big one with Dad: A Russian director’s debut
by
J. Hoberman
January 27, 2004
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