It’s not quite accurate to say that Doomocracy is just a haunted house, or just about this uniquely terrible moment in American politics. Instead, celebrated Mexican artist and activist Pedro Reyes has created an ambitious immersive experience at the Brooklyn Army Terminal, a manic, playful, occasionally overextended tour of the national psyche that begins at the election but sprawls out to touch the grimiest corners of our culture.
All photos by Tod Seelie for the Village Voice. Text by Anna Merlan — read her entire review of Doomocracy here.