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IBOGAINE! It’s Back! Just in Time for Doomsday!

The wages of colonialism: A still from “The Battle of Algiers” (1966).

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

Jumpstart Your Earth Day Vibes at Union Square

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Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

Straphangers: Director Joseph Sargent (center, with glasses) and cinematographer Owen Roizman prepare a close-up of a commuter having a very bad day in “The Taking of Pelham 123.”

‘Cinematic Immunity’ Covers the Artistry – and Insane Derring-Do – of Location Shooting in NYC

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Three-Arch Monte: President Donald Trump shows off variously sized models of his proposed triumphal arch.

250 Years = 250 Feet: Trump’s Desire for a Bigly Arch Echoes Megalomaniacs of the Past

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Adrienne Kennedy

Theater archives

Adrienne Kennedy’s “He Brought Her Heart Back in a Box” Spins a Terrifying Tale of Poetry, Racism, and Doomed Love

by Michael Feingold

February 6, 2018

Theater archives

She Talks to Beethoven Is a Fever Dream of a Play

by Jason Fitzgerald

January 22, 2014

The Decade’s Best Theater

by Michael Feingold

December 22, 2009

Theater archives

Hello, New Amsterdam! The Obies Honor Off-Broadway’s Best

by Garrett Eisler

May 20, 2008

Theater archives

The 2008 Obie Award Winners

by Decision of this year's judges panel

May 20, 2008

Theater archives

Bowing Out

by Michael Feingold

August 4, 1998

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