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A mockup for mockery.

SEVEN DECADES

A Monument to a Corrupt POTUS – 1977 Version

by Howard Smith & Brian Van der Horst

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Americans talking — and listening — to each other.

VOICE CHOICE

‘Louder Than Guns’ Follows a Musician and a Journalist as They Seek Common Ground to End Gun Violence

by Laura Bell

Just another week in the life of New York City: President Nixon pushing us into a "Post-Constitutional America;" photographer Fred McDarrah capturing locals enjoying Central Park; and a firsthand account of a show trial that had little to show for itself.

SEVEN DECADES

A Government Show Trial in 1971 Echoes Trumped-Up Charges Now

by Edwin Kennebeck

Freshly blooming solidarity coming this May Day.

VOICE CHOICE

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

by Laura Bell

“They remain terrifying and beautiful, like death and the human condition”:  Samson Flexor’s 1968 “Portrait of Vilém Flusser” and “Monster” (1969); pages 39 and 40 of “The Society of the Screen.”

BOOKS

‘The Society of the Screen’ Spotlights a Prophet of Tech Anxiety

by R.C. Baker

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

FILM

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

SEVEN DECADES

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

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Diane Keaton

FILM ARCHIVES

Does Godfather Know Best?

“What ‘The Godfather’ is trying to peddle us is that turning to crime was not a choice but a necessary absorption in order to get along in a hostile country. Thus it is an ode to impotence and a grave insult to the Italians”

by Joe Flaherty

Originally published: June 30, 1975

ART ARCHIVES

With “My Annie Hall,” New York Seniors Remake Woody Allen

by Brittany Natale

August 15, 2018

FILM ARCHIVES

Rob Reiner’s And So It Goes Provides More Groans Than Laughs

by Nick Schager

July 23, 2014

FILM ARCHIVES

Smother Makes Good Afternoon Programing for Comedy Central

by Tim Grierson

October 1, 2008

ART ARCHIVES

Bill Wood’s Better Commercial Pictures Took

by Martha Schwendener

June 17, 2008

FILM ARCHIVES

Mad Money

by Robert Wilonsky

January 8, 2008

Bars

Laughing and Crying at Keaton’s Roast

by Michael Musto

April 10, 2007

FILM ARCHIVES

Date My Mom

by Scott Foundas

January 23, 2007

FILM ARCHIVES

Yes, But He’s Our Nebbish

by Leslie Camhi

December 12, 2006

FILM ARCHIVES

As a Grieving Mother, Weaver Chases Pot and an Oscar Nod

by Laura Sinagra

December 7, 2004

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