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War In Ukraine
Navigating a War Zone: Ukrainian Railways in Conversation
By Anna Conkling
Letter From Iran
A Freedom of Choice Revolution Is Roiling Iran
By Roshanak Darabi
THE FRONT ARCHIVES
Beautiful Butchers: The Shah Serves Up Caviar and Torture
By Alexander Cockburn, James Ridgeway and Jan Albert
Path 2
ART ARCHIVES
On the 100th Anniversary of Opening King Tut’s Tomb, All That Glitzes Is Still Not Gold
By Rosalyn Drexler
VOICE OF THE AGES
Remembering Michael Feingold and the Heat-Seeking Missiles of His Theater Criticism
By The Village Voice
MUSIC
Dion: The Wanderer Has Never Left the Building
By Rafael Alvarez
Path 2
Dance
Sally Silvers Puts New Wine in Old Bottles
By Elizabeth Zimmer
ART
Sculptor Isabelle Albuquerque: Ten People, Two Cities, One Body
By Shana Nys Dambrot
MUSIC
Pat Benatar and Carly Simon: Hometown Rockers Make Good
By Mary Lyn Maiscott
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Kurt Weill
Theater archives
Rich Visual Schemes Undermine Dramatic Subtlety in The Threepenny Opera
by
Tom Sellar
April 9, 2014
Theater archives
The Threepenny Opera Enters the Dead Zone
by
Michael Feingold
October 12, 2011
Theater archives
NOTES FROM THE UNDERGROUND
by
Village Voice
September 28, 2011
Theater archives
Lost in the Stars Sings South African Tragedy
by
Michael Feingold
February 9, 2011
FILM ARCHIVES
You and Me
by
Jim Hoberman
February 2, 2011
FILM ARCHIVES
The American Films of Mad Genius Fritz Lang Expand Genres
by
J. Hoberman
January 26, 2011
FILM ARCHIVES
WHAT IS THAT FLICK?
by
Elliot Stein
August 18, 2009
FILM ARCHIVES
You and Me
by
J. Hoberman
August 11, 2009
Theater archives
Kurt Weill and Maxwell Anderson Cooked Some Great Burghers For Knickerbocker Holiday
by
Michael Feingold
July 8, 2009
MUSIC ARCHIVES
O’Death: The Sound of 1,000 Banjos Overtaking Brooklyn
by
Jesse Jarnow
October 29, 2008
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