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Freshly blooming solidarity coming this May Day.

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

IBOGAINE! It’s Back! Just in Time for Doomsday!

The wages of colonialism: A still from “The Battle of Algiers” (1966).

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

Freshly blooming solidarity coming this May Day.

For May Day 2026, Join Workers Uniting – and Partying – Against Fascism

Love your mother: This Sunday, gather in Union Square to celebrate the only planet we got.

Jumpstart Your Earth Day Vibes at Union Square

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Afrika Bambaataa Gave Voice to Music ‘Never Heard Before’

by Steven Hager

“They remain terrifying and beautiful, like death and the human condition”: Samson Flexor’s 1968 “Portrait of Vilém Flusser” and “Monster” (1969); pages 39 and 40 of “The Society of the Screen.”

‘The Society of the Screen’ Spotlights a Prophet of Tech Anxiety

“Lee Cronin’s the Mummy” delivers a familiar bolero of carnage, devilry, and plain old assaults.

Review: ‘Lee Cronin’s The Mummy’ is Not Really a Mummy Movie, But Blumhouse Couldn’t Care Less

by Michael Atkinson

The wages of colonialism: A still from “The Battle of Algiers” (1966).

When the Pentagon Screened ‘The Battle of Algiers’

by Michael Atkinson

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Oscar Hammerstein

Theater archives

A Ship Without a Sail: The Life of Lorenz Hart Looks at the Woeful, Triumphant Career of the Great Lyricist

by Michael Feingold

July 18, 2012

Finishing the Hat–the Lyrics and Kvetches of Stephen Sondheim

by Michael Feingold

December 1, 2010

Theater archives

Hammerstein’s Complete Lyrics Tells the Story of One Man’s Struggle

by Michael Feingold

December 10, 2008

Close-Up on Times Square

April 13, 2004

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